Liu, Haisu

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(1896-1994) : Maler, Erzieher

Themengebiete (2)

Kunst › Malerei, Kalligraphie, Illustration
Namen-Index › China

Chronologische Einträge (4)

Jahr	Text	Verknüpfte Daten
1912	Liu Haisu, Wu Shiguang und Zhang Yunguang gründen die Shanghai Academy of Chinese Painting in der konventionelle Malerei im westlichen Stil um 1920-1930 gelehrt wird.	Dokument: Sullivan, Michael. The meeting of Eastern and Western art from the sixteenth century to the present day. (London : Thames and Hudson, 1973). [Rev. and expanded ed. (Berkeley, Calif. : University of California Press, 1989)]. archive.org : Some important dates in Far Eastern history since 1500. Japan: the first phase, c.1550-1850. China and European art, 1600-1800. Europe and Chinese art, 1600-1800. Japan: from the Meiji restoration of 1869 to the present day. The revolution in Chinese art. Europe and America: from 1850 to the present day. Some reflections on the East-West dialogue. (Sul6, Publication) Person: Wu, Shiguang Person: Zhang, Yunguang
1929	Liu Haisu reist nach Paris und trifft Fu Lei und andere chinesische Künstler. Er ist Mitbegründer der Society of Chinese Artists in France = Zhong hua liu Fa yi shu xie hui.	Dokument: The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014). [Enthält] : Part I: Blending Chinese and Foreign Cultures Chapter One ................................................................................................. 2 Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura Aaron M. Rio Chapter Two .............................................................................................. 23 Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting Maria Kar-wing Mok Chapter Three ............................................................................................ 44 "Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945 Clare Taylor Chapter Four .............................................................................................. 65 "Chinese" Paintings by Zdenek Sklenar Lucie Olivova Part II: Envisioning Chinese Landscape Art Chapter Five .............................................................................................. 88 Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting Michelle Ying-ling Huang Chapter Six .............................................................................................. 115 In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art Minna Törmä Chapter Seven .......................................................................................... 130 The Return of the Silent Traveller Mark Haywood Part III: Conceptualising Chinese Art through Display Chapter Eight ........................................................................................... 154 Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture Lenore Metrick-Chen Chapter Nine ........................................................................................... 179 Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador Michaela Pejcochova Chapter Ten ............................................................................................. 200 The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America Noelle Giuffrida Part IV: Positioning Contemporary Chinese Artists in the Globe Chapter Eleven ........................................................................................ 228 Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities Diana Yeh Chapter Twelve ....................................................................................... 255 The Reception of Xing Danwen’s Lens-based Art Across Cultures Silvia Fok Chapter Thirteen ...................................................................................... 278 Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions Elizabeth Kim (Huang1, Publication) Person: Fu, Lei
1931	Ausstellung chinesischer Maler der Jetztzeit [ID D39317]. Das chinesische Komitee bestand aus Zhu Jiahua, Cai Yuanpei, Liu Wendao, Chen Shuren, Liu Haisu, Gao Qifeng, Xu Beihong und anderen.	Dokument: Huang, Qingcheng. Zhong Xi pu tong shu mu biao. ([S.l. : Guangxu wu xu, 1898). Bibliographie von Übersetzungen aus westlichen Ländern. (Huan1, Publication) Person: Cai, Yuanpei Person: Chen, Shuren Person: Gao, Qifeng Person: Liu, Wendao Person: Xu, Beihong Person: Zhu, Jiahua
1934	Ausstellung mit Liu Haisu, Henri Matisse und Pablo Picasso in Paris. Vi Kyuin Wellington Koo nimmt daran teil.	Dokument: The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014). [Enthält] : Part I: Blending Chinese and Foreign Cultures Chapter One ................................................................................................. 2 Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura Aaron M. Rio Chapter Two .............................................................................................. 23 Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting Maria Kar-wing Mok Chapter Three ............................................................................................ 44 "Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945 Clare Taylor Chapter Four .............................................................................................. 65 "Chinese" Paintings by Zdenek Sklenar Lucie Olivova Part II: Envisioning Chinese Landscape Art Chapter Five .............................................................................................. 88 Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting Michelle Ying-ling Huang Chapter Six .............................................................................................. 115 In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art Minna Törmä Chapter Seven .......................................................................................... 130 The Return of the Silent Traveller Mark Haywood Part III: Conceptualising Chinese Art through Display Chapter Eight ........................................................................................... 154 Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture Lenore Metrick-Chen Chapter Nine ........................................................................................... 179 Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador Michaela Pejcochova Chapter Ten ............................................................................................. 200 The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America Noelle Giuffrida Part IV: Positioning Contemporary Chinese Artists in the Globe Chapter Eleven ........................................................................................ 228 Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities Diana Yeh Chapter Twelve ....................................................................................... 255 The Reception of Xing Danwen’s Lens-based Art Across Cultures Silvia Fok Chapter Thirteen ...................................................................................... 278 Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions Elizabeth Kim (Huang1, Publication) Person: Koo, Vi Kyuin Wellington Person: Matisse, Henri Person: Picasso, Pablo

Bibliografie (2)

Jahr	Bibliografische Daten	Typ / Abkürzung	Verknüpfte Daten
1931	Výstava cínského umení : Pamatky a moderní malby. Pref. by Liu Haisu. (Prague : Museum of Arts and Crafts, Oriental Institute, 1931). [Exhibition of Chinese art : objects of ancient art and modern… Výstava cínského umení : Pamatky a moderní malby. Pref. by Liu Haisu. (Prague : Museum of Arts and Crafts, Oriental Institute, 1931). [Exhibition of Chinese art : objects of ancient art and modern paintings].	Publication / Exh4	Zitiert von: Worldcat/OCLC (WC, Web)
1934	Liu, Haisu. Ausstellung "Chinesische Malerei der Gegenwart" : veranstaltet unter Förderung durch die Regierung der Chinesischen Republik. Vom Kunstverein für die Rheinlande und Westfalen, Düsseldorf.… Liu, Haisu. Ausstellung "Chinesische Malerei der Gegenwart" : veranstaltet unter Förderung durch die Regierung der Chinesischen Republik. Vom Kunstverein für die Rheinlande und Westfalen, Düsseldorf. (Berlin : Würfel Verlag, 1934).	Publication / Exh8	Zitiert von: Worldcat/OCLC (WC, Web)