1919

← Zurück zu den Suchergebnissen

Jahr

1919

Text

Danton, G[eorge] H. Henrik Ibsen [ID D26352].
Danton schreibt : "In reading Ibsen chronologically, it is of great importance to understand what was the final and accomplished by him and through what stages he reached it. Eugene Scribe's plays are all outer action, all mere juxtaposition. Ibsen, at the very outset, went deeper than that ; not only ethically but dramatically. Ibsen stoutley denied that his play was a woman's rights play or that it should be used to aid women-suffrage ; he claimed for it only the portrayal of the rights of the individual to live as he or she will, and that the fundamental note was that the great crime is the crime against personaliy. Nora leaves home, husband, and above all, children, because she realizes that she has no chance to live her life with them and that her own ego had been sullied by her husband's selfishness."

Tam Kwok-kan : Originally presented as a speech to students at Tsing Hua University, the article differs from other similar writings in that it concentrates on the artistic aspect of Ibsen's drama. As a foreigner, Danton was detached from the social problems in China and, therefore, able to look at Ibsen from a different perspective.

Erwähnte Personen (2)

Themengebiete (1)

  • Literatur › Westen › Norwegen

Dokumente (1)

Jahr Bibliografische Daten Typ / Abkürzung Verknüpfte Daten
1984 Tam, Kwok-kan. Ibsen in China : reception and influence. (Urbana, Ill. : University of Illinois, Graduate College, 1984). Diss. Univ. of Illinois, 1984. S. S. 50-51 Publication / Ibs115