(Berlin 1901-1971 New York, N.Y.) : Britischer Kunsthistoriker
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Verknüpfte Daten
1773
Mason, William. An heroic epistle [ID D27198]."Knight of the Polar Star! by Fortune plac'dTo shine the Cynosure of British taste ;Whose orb collects, in one refulgent view,The scatter’d glories of…
Mason, William. An heroic epistle [ID D27198]. "Knight of the Polar Star! by Fortune plac'd To shine the Cynosure of British taste ; Whose orb collects, in one refulgent view, The scatter’d glories of Chinese Virth ; And spread their lustre in so broad a blaze, That Kings themselves are dazzled while they gaze..."
Horace Walpole schreibt dazu : "Sir William Chambers, who was far from wanting taste in architecture, fell into the mistake of the French, who suppose that the Chinese had discovered the true style in gardens long before Kent ; and in order to deprive him and England of the honour of originality, the French call our style the Anglo-chinois Garden : whereas, the Chinese wander as far from nature as the French themselves, tho in opposite extremes. Regularity, Uniformity, Formality and Sameness are the characteristics of all French gardens : Irregularity and Extravagance of the Chinese... The imitation of nature in gardens is indisputably English."
Wittkower, Rudolf. Allegorie und der Wandel der Symbole in Antike und Renaissance.(Köln : Dumont, 1984). (DuMont-Taschenbücher ; 142). Er schreibt : Obwohl Chambers' Buch [Dissertation on Oriental gardening] auf dem Kontinent einen gewaltigen Einfluss ausübte, galt es in England als Anachronismus ; es wurde angegriffen und lächerlich gemacht. Gewandt verlieh der Dichter William Mason der Stimmung des Publikums in seiner Satire 'An heroic epistle to Sir William Chambers' Ausdruck. Horace Walpole schrieb über diese Satire : "Ich lachte, bis mir die Tränen kamen, und je öfter ich sie las, desto besser gefiel sie mir."