Sirén, Osvald

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(Helsinki, Finnland 1879-1966 Stockholm) : Schwedischer Kunsthistoriker, Professor der Universität Stockholm, Konservator Nationalmuseum Stockholm, Gastprofessor Harvard University

Themengebiete (3)

Kunst › Allgemein
Namen-Index › Westen
Sinologie und Asienkunde › Europa › Schweden

Chronologische Einträge (10)

Jahr	Text	Verknüpfte Daten
1900	Osvald Sirén promoviert an der Universität Helsinki.	Dokument: Internet (Wichtige Adressen werden separat aufgeführt) (Int, Web)
1908-1923	Osvald Sirén ist Professor of History and Theory of Art an der Stockholm Universität.	Dokument: Wikipedia : de.wikipedia.org. (Wik, Web)
1916-1917	Osvald Sirén ist Dozent an der Yale University.	Dokument: Wikipedia : de.wikipedia.org. (Wik, Web)
1922-1923	Osvald Sirén reist in China, sammelt Kunst und photographiert.	Dokument: Wikipedia : de.wikipedia.org. (Wik, Web)
1924-1925	Osvald Sirén ist Konservator am Musée Guimet in Paris.	Dokument: Wikipedia : de.wikipedia.org. (Wik, Web)
1926-1944	Osvald Sirén leitet die Abteilung Malerei und Skuptur des Nationalmuseum Stockholm.	Dokument: Wikipedia : de.wikipedia.org. (Wik, Web)
1935	Osvald Sirén reist das letzte Mal in China und sammelt Werke über chinesische Malerei.	Dokument: The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014). [Enthält] : Part I: Blending Chinese and Foreign Cultures Chapter One ................................................................................................. 2 Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura Aaron M. Rio Chapter Two .............................................................................................. 23 Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting Maria Kar-wing Mok Chapter Three ............................................................................................ 44 "Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945 Clare Taylor Chapter Four .............................................................................................. 65 "Chinese" Paintings by Zdenek Sklenar Lucie Olivova Part II: Envisioning Chinese Landscape Art Chapter Five .............................................................................................. 88 Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting Michelle Ying-ling Huang Chapter Six .............................................................................................. 115 In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art Minna Törmä Chapter Seven .......................................................................................... 130 The Return of the Silent Traveller Mark Haywood Part III: Conceptualising Chinese Art through Display Chapter Eight ........................................................................................... 154 Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture Lenore Metrick-Chen Chapter Nine ........................................................................................... 179 Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador Michaela Pejcochova Chapter Ten ............................................................................................. 200 The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America Noelle Giuffrida Part IV: Positioning Contemporary Chinese Artists in the Globe Chapter Eleven ........................................................................................ 228 Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities Diana Yeh Chapter Twelve ....................................................................................... 255 The Reception of Xing Danwen’s Lens-based Art Across Cultures Silvia Fok Chapter Thirteen ...................................................................................... 278 Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions Elizabeth Kim (Huang1, Publication)
1938-1948	Osvald Sirén ist Generalsekretär der skandinavischen theosophischen Gesellschaft.	Dokument: Wikipedia : de.wikipedia.org. (Wik, Web)
1948	Sirén, Osvald. Chinese influences of European gardens of the 18th century. Drei Vorträge im Courtauld Institute on Art in London.	Dokument: The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014). [Enthält] : Part I: Blending Chinese and Foreign Cultures Chapter One ................................................................................................. 2 Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura Aaron M. Rio Chapter Two .............................................................................................. 23 Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting Maria Kar-wing Mok Chapter Three ............................................................................................ 44 "Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945 Clare Taylor Chapter Four .............................................................................................. 65 "Chinese" Paintings by Zdenek Sklenar Lucie Olivova Part II: Envisioning Chinese Landscape Art Chapter Five .............................................................................................. 88 Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting Michelle Ying-ling Huang Chapter Six .............................................................................................. 115 In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art Minna Törmä Chapter Seven .......................................................................................... 130 The Return of the Silent Traveller Mark Haywood Part III: Conceptualising Chinese Art through Display Chapter Eight ........................................................................................... 154 Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture Lenore Metrick-Chen Chapter Nine ........................................................................................... 179 Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador Michaela Pejcochova Chapter Ten ............................................................................................. 200 The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America Noelle Giuffrida Part IV: Positioning Contemporary Chinese Artists in the Globe Chapter Eleven ........................................................................................ 228 Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities Diana Yeh Chapter Twelve ....................................................................................... 255 The Reception of Xing Danwen’s Lens-based Art Across Cultures Silvia Fok Chapter Thirteen ...................................................................................... 278 Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions Elizabeth Kim (Huang1, Publication)
1956	James Cahill arbeitet mit Osvald Sirén zusammen an Chinese painting : leading masters and principles in Stockholm.	Dokument: Cahill, James (Cah, Person) Person: Cahill, James

Bibliografie (10)

Jahr	Bibliografische Daten	Typ / Abkürzung	Verknüpfte Daten
1925	Documents d'art chinois de la collection Osvald Sirén. Publiés avec und préface de Raymond Koechlin ; sous la direction de Henri Rivière ; avec la collagoration de Serge Elisseeff, Gustaf Munthe,… Documents d'art chinois de la collection Osvald Sirén. Publiés avec und préface de Raymond Koechlin ; sous la direction de Henri Rivière ; avec la collagoration de Serge Elisseeff, Gustaf Munthe, Osvald Sirén. (Paris : G. van Oest, 1925). (Ars asiatica. Etudes et documents ; 7).	Publication / EliS1	Person: Elisseeff, Serge Person: Rivière, Henri
1926	Siréen, Osvald. The imperial palaces of Peking. (Paris : G. Van Oest, 1926).	Publication / Sir4	Zitiert von: Worldcat/OCLC (WC, Web)
1929-1930	Sirén, Osvald. A history of early Chinese art. Vol. 1-4. (London : E. Benn, 1929-1930). Vol. 1 : The prehistoric and pre-Han periods. Vol. 2 : The Han period. Vol. 3 : Sculpture. Vol. 4 : Architecture.	Publication / Sir5	Zitiert von: Worldcat/OCLC (WC, Web)
1938	Studies in Chinese art and some Indian influences : lectures delivered in connection with the International exhibition of Chinese art at the Royal Academy of Arts. (London : India Society, 1938).… Studies in Chinese art and some Indian influences : lectures delivered in connection with the International exhibition of Chinese art at the Royal Academy of Arts. (London : India Society, 1938). [Enthält Beiträge von Joseph Hackin, Osvald Sirén, Langdon Warner und Paul Pelliot].	Publication / Pel6	Person: Hackin, Joseph Person: Pelliot, Paul Person: Warner, Langdon
1949	Sirén, Osvald. Gardens of China. (New York, N.Y. : Ronald Press Co., 1949). archive.org.	Publication / Siré1	Zitiert von: Claus, Matthias Claus, Matthias. Reisen und Abenteuer : Reiseberichte über China und Tibet, von den Anfängen der Geschichte bis zum Jahr 2000. : das-klassische-china.de. (Cla, Web)
1956	Sirén, Osvald. Chinese painting : leading masters and principles. Vol. 1-7. (London : Lund Humphries ; New York, N.Y. : Ronald Press, 1956). Vol. 1 : Early Chinese painting. Vol. 2 : The Sung period.… Sirén, Osvald. Chinese painting : leading masters and principles. Vol. 1-7. (London : Lund Humphries ; New York, N.Y. : Ronald Press, 1956). Vol. 1 : Early Chinese painting. Vol. 2 : The Sung period. Vol. 3 : Plates. Vol. 4 : The Yuan and early Ming masters. Vol. 5 : The later Ming and leading Ch'ing masters. Vol. 6 : Plates. Vol. 7 : Annotated lists of the works of painters of the Yuan, Ming and Ch'ing periods.	Publication / Sir1
1959	Sirén, Osvald. Chinesische Skulpturen der Sammlung Eduard von der Heydt. Beschreibender Katalog von Osvald Siren. = Chinese sculptures in the Von der Heydt collection. Übers. aus dem Englischen von… Sirén, Osvald. Chinesische Skulpturen der Sammlung Eduard von der Heydt. Beschreibender Katalog von Osvald Siren. = Chinese sculptures in the Von der Heydt collection. Übers. aus dem Englischen von Edith Gradmann. (Zürich : Museum Rietberg, 1959).	Publication / Sir6	Zitiert von: Worldcat/OCLC (WC, Web) Person: Von der Heydt, Eduard
1963	Siréen, Osvald. The Chinese on the art of painting : translations and comments. (New York, N.Y. : Schocken Books, 1963).	Publication / Sir3	Zitiert von: Worldcat/OCLC (WC, Web)
1980	Cahill, James. An index of early Chinese painters and paintings : T'ang, Sung, and Yüan. Incorporating the work of Osvald Sirén and Ellen Johnston Laing. (Berkeley, Calif. : University of California… Cahill, James. An index of early Chinese painters and paintings : T'ang, Sung, and Yüan. Incorporating the work of Osvald Sirén and Ellen Johnston Laing. (Berkeley, Calif. : University of California Press, 1980). [Tang, Song, Yuan].	Publication / Cah24	Person: Cahill, James Person: Laing, Ellen Johnston
1990	Sirén, Osvald. China and gardens of Europe of the eighteenth century. (New York, N.Y. : Ronald Press, 1950).	Publication / Sir2	Zitiert von: Worldcat/OCLC (WC, Web)