Lippe-Biesterfeld, Aschwin

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(Jena 1914-1988 's-Gravenhage) : Kurator Metropolitan Museum of Art, New York, N.Y.

Namensalternative(n)

Lippe-Biesterfeld, Ernst Aschwin Georg Carol Heinrich Ignatz Prinz zur

Themengebiete (3)

Kunst › Allgemein
Kunst › Malerei, Kalligraphie, Illustration
Namen-Index › Westen

Chronologische Einträge (1)

Jahr	Text	Verknüpfte Daten
1954	Ernst Aschwin zur Lippe-Biesterfeld reist nach Taiwan um Bilder für die Ausstellung Chinese art treasures in Washington D.C. auszuwählen.	Dokument: The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014). [Enthält] : Part I: Blending Chinese and Foreign Cultures Chapter One ................................................................................................. 2 Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura Aaron M. Rio Chapter Two .............................................................................................. 23 Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting Maria Kar-wing Mok Chapter Three ............................................................................................ 44 "Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945 Clare Taylor Chapter Four .............................................................................................. 65 "Chinese" Paintings by Zdenek Sklenar Lucie Olivova Part II: Envisioning Chinese Landscape Art Chapter Five .............................................................................................. 88 Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting Michelle Ying-ling Huang Chapter Six .............................................................................................. 115 In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art Minna Törmä Chapter Seven .......................................................................................... 130 The Return of the Silent Traveller Mark Haywood Part III: Conceptualising Chinese Art through Display Chapter Eight ........................................................................................... 154 Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture Lenore Metrick-Chen Chapter Nine ........................................................................................... 179 Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador Michaela Pejcochova Chapter Ten ............................................................................................. 200 The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America Noelle Giuffrida Part IV: Positioning Contemporary Chinese Artists in the Globe Chapter Eleven ........................................................................................ 228 Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities Diana Yeh Chapter Twelve ....................................................................................... 255 The Reception of Xing Danwen’s Lens-based Art Across Cultures Silvia Fok Chapter Thirteen ...................................................................................... 278 Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions Elizabeth Kim (Huang1, Publication)

Bibliografie (1)

Jahr	Bibliografische Daten	Typ / Abkürzung	Verknüpfte Daten
1944	Lippe-Biesterfeld, Ernst Aschwin. Li K'an und seine "Ausführliche Beschreibung des Bambus". (Berlin : de Gruyter, 1944). Diss. Univ. Berlin, 1944. [Li, Kan. Zhu pu xiang lu. 竹譜詳錄].	Publication / Lippe1	Zitiert von: Worldcat/OCLC (WC, Web) Person: Li, Kan