Tobey, Mark

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(Centerville, Wisc. 1890-1976 Basel) : Maler

Themengebiete (2)

Kunst › Malerei, Kalligraphie, Illustration
Namen-Index › Westen

Chronologische Einträge (3)

Jahr	Text	Verknüpfte Daten
1923	Mark Tobey trifft den chinesischen Maler Deng Kui, der ihn in die Technik der chinesischen Kalligraphie einführt.	Dokument: Sullivan, Michael. The meeting of Eastern and Western art from the sixteenth century to the present day. (London : Thames and Hudson, 1973). [Rev. and expanded ed. (Berkeley, Calif. : University of California Press, 1989)]. archive.org : Some important dates in Far Eastern history since 1500. Japan: the first phase, c.1550-1850. China and European art, 1600-1800. Europe and Chinese art, 1600-1800. Japan: from the Meiji restoration of 1869 to the present day. The revolution in Chinese art. Europe and America: from 1850 to the present day. Some reflections on the East-West dialogue. (Sul6, Publication) Person: Deng, Kui
1934	Mark Tobey reist nach China und trifft sich mit chinesischen Maler Deng Kui in Shanghai. Anschliessend verbringt er einen Monat in einem Zen-Kloster in Japan um Kalligrapie zu üben.	Dokument: Sullivan, Michael. The meeting of Eastern and Western art from the sixteenth century to the present day. (London : Thames and Hudson, 1973). [Rev. and expanded ed. (Berkeley, Calif. : University of California Press, 1989)]. archive.org : Some important dates in Far Eastern history since 1500. Japan: the first phase, c.1550-1850. China and European art, 1600-1800. Europe and Chinese art, 1600-1800. Japan: from the Meiji restoration of 1869 to the present day. The revolution in Chinese art. Europe and America: from 1850 to the present day. Some reflections on the East-West dialogue. (Sul6, Publication)
1957	Mark Tobey experimented briefly with pure calligraphic ink gestures.Er schreibt [Datum unbekannt] :"Some critics have criticized me for being what they called an Orientalist and for using Oriental… Mark Tobey experimented briefly with pure calligraphic ink gestures. Er schreibt [Datum unbekannt] : "Some critics have criticized me for being what they called an Orientalist and for using Oriental models for my work. But they were wrong. Because when I was struggling in Japan and China with Sumi-ink and the brush, trying to understand the calligraphy of the Far-East, I became aware that I would never be anything other than the Westerner that I am. But what did develop there was what I call the calligraphic impulse that has opened out new horizons for my work. Now I could paint the turmoil and tumult of the great cities, the intertwining of the lights and the streams of people caught up in the mesh of their net."	Dokument: Sullivan, Michael. The meeting of Eastern and Western art from the sixteenth century to the present day. (London : Thames and Hudson, 1973). [Rev. and expanded ed. (Berkeley, Calif. : University of California Press, 1989)]. archive.org : Some important dates in Far Eastern history since 1500. Japan: the first phase, c.1550-1850. China and European art, 1600-1800. Europe and Chinese art, 1600-1800. Japan: from the Meiji restoration of 1869 to the present day. The revolution in Chinese art. Europe and America: from 1850 to the present day. Some reflections on the East-West dialogue. (Sul6, Publication)