Jahr
1916
Typ
Publication
Text
Binyon, Laurence. Ma Yüan’s landscape roll. (New York, N.Y. DeVinne Press, 1916).
(Biny6)
Mitwirkende (1)
Erwähnte Personen (1)
Themengebiete (1)
- Kunst › Malerei, Kalligraphie, Illustration
Zitiert von (1)
| Jahr | Bibliografische Daten | Typ / Abkürzung | Verknüpfte Daten |
|---|---|---|---|
| 2014 |
The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014).[Enthält] :Part I: Blending Chinese and Foreign…
The reception of Chinese art across cultures. Ed. by Michelle Ying-ling Huang. (Newcastle upon Tyne : Cambridge Scholars Publishing, 2014).
[Enthält] : Part I: Blending Chinese and Foreign Cultures Chapter One ................................................................................................. 2 Shades of Mokkei: Muqi-style Ink Painting in Medieval Kamakura Aaron M. Rio Chapter Two .............................................................................................. 23 Mistakes or Marketing? Western Responses to the Hybrid Style of Chinese Export Painting Maria Kar-wing Mok Chapter Three ............................................................................................ 44 "Painted Paper of Pekin": The Taste for Eighteenth-Century Chinese Papers in Britain, c. 1918 - c. 1945 Clare Taylor Chapter Four .............................................................................................. 65 "Chinese" Paintings by Zdenek Sklenar Lucie Olivova Part II: Envisioning Chinese Landscape Art Chapter Five .............................................................................................. 88 Binyon and Nash: British Modernists’ Conception of Chinese Landscape Painting Michelle Ying-ling Huang Chapter Six .............................................................................................. 115 In Search of Paradise Lost: Osvald Sirén’s Scholarship on Garden Art Minna Törmä Chapter Seven .......................................................................................... 130 The Return of the Silent Traveller Mark Haywood Part III: Conceptualising Chinese Art through Display Chapter Eight ........................................................................................... 154 Aesthetics and Exclusion: Chinese Objects in Nineteenth-Century American Visual Culture Lenore Metrick-Chen Chapter Nine ........................................................................................... 179 Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador Michaela Pejcochova Chapter Ten ............................................................................................. 200 The Right Stuff: : Chinese Art Treasures’ Landing in Early 1960s America Noelle Giuffrida Part IV: Positioning Contemporary Chinese Artists in the Globe Chapter Eleven ........................................................................................ 228 Under the Spectre of Orientalism and Nation: Translocal Crossingsand Discrepant Modernities Diana Yeh Chapter Twelve ....................................................................................... 255 The Reception of Xing Danwen’s Lens-based Art Across Cultures Silvia Fok Chapter Thirteen ...................................................................................... 278 Selling Contemporary Chinese Art in the West: A Case Studyof How Yue Minjun’s Art was Marketed in Auctions Elizabeth Kim |
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