Jahr
2001
Text
Yan, Kui. Hu dong : Duoen [John Donne] de yi shu mei li [ID D30992]
Discusses the complex interaction between divinity and secularity, tradition and creativity, and life and art in Donne's poetry. Comments on Lect, Ecst, ElBed, Twick, and ConfL to show how religious elements appear in Donne's love poems and discusses HSShow and Father to illustrate how secular passion is skillfully incorporated in religious poems. Holds that the interaction between tradition and creativity and between religion and secularity challenges the old notion of a Jack and John Donne. In the interaction of the sacred and the profane, sees a combination of three elements: use of conceit, cosmic awareness of humanity, and the tradition of dream literature. Illustrates this idea by citing SunRis, Canon, Air, Ecst, Anniv, Metem, LovExch, Noct, LovAlch, and ValWeep. Considering the interaction of life and art, cites examples from El- War, Fever, Relic, FunEl, and Leg. Calls interaction the “unique spell” of Donne's works.
Discusses the complex interaction between divinity and secularity, tradition and creativity, and life and art in Donne's poetry. Comments on Lect, Ecst, ElBed, Twick, and ConfL to show how religious elements appear in Donne's love poems and discusses HSShow and Father to illustrate how secular passion is skillfully incorporated in religious poems. Holds that the interaction between tradition and creativity and between religion and secularity challenges the old notion of a Jack and John Donne. In the interaction of the sacred and the profane, sees a combination of three elements: use of conceit, cosmic awareness of humanity, and the tradition of dream literature. Illustrates this idea by citing SunRis, Canon, Air, Ecst, Anniv, Metem, LovExch, Noct, LovAlch, and ValWeep. Considering the interaction of life and art, cites examples from El- War, Fever, Relic, FunEl, and Leg. Calls interaction the “unique spell” of Donne's works.
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- Literatur › Westen › England