Shen, Zemin. Wangerde ping zhuan [ID D27631]. Shen Zemin schreibt : "Salomé is the symbol of Wilde himself, Salomé's passion is Wilde's passion. In writing Salomé, Wilde is actually writing about himself ; to write Salomé's doomed fate is to write his own fate. Salomé is a feverish nightmare which expresses a kind of degradation." Shen Zemin focuses on Oscar Wilde's leading role in promoting aestheticism in England and America.
Zhou, Xiaoyi. Oscar Wilde : an image of artistic self-fashioning in modern China, 1909-1949. In : Images of Westerners in Chinese and Japanese literature : proceedings of the XVth Congress of the…
Zhou, Xiaoyi. Oscar Wilde : an image of artistic self-fashioning in modern China, 1909-1949. In : Images of Westerners in Chinese and Japanese literature : proceedings of the XVth Congress of the International Comparative Literature Association‚ Literature as cultural memory, Leiden 1997. Ed. by Hua Meng, Sukehiro Hirakawa. (Amsterdam : Rodopi, 2000).
Wong, Linda Pui-ling. The initial reception of Oscar Wilde in modern China ; with special reference to Salome. In : Comparative literature & culture (Hong Kong), no 3 (1998). = The Oscholars Library…
Wong, Linda Pui-ling. The initial reception of Oscar Wilde in modern China ; with special reference to Salome. In : Comparative literature & culture (Hong Kong), no 3 (1998). = The Oscholars Library : oscholars.com. (2012).