Jahr
1924
Text
Wang, Tongzhao. Bailun shi zhong de se jue [ID D26459].
Er schreibt : "From the colours he used, we see mountains exuberant and murky, seas vast and gloomy ; we see even more of the wounded heart of the young poet, bathed in flowers of blood, struggling in the great, profound, dark and gloomy nature. Is this Wordsworth's scenery full of friendly creatures ? Is this the nature meticulously and leisurely analyzed by Keats ? No, it is Byron's own. This is the dark, deep colour rising from Byron's broad, gloomy heart, covering all his impressions of mountains, seas, forests, ripples and flowers, animals and humans."
Chu Chih-yu : The idea, argument, and examples – except the general tone and conclusion – are taken from the Byron chapter of Pratt, Alice Edwards. The use of color in the verse of the English romantic poets. (Chicago, Ill. : University of Chicago Press, 1898). He noted that in his early poems, Byron particularly favoured several colous of the eyes, hair and skin, and loved the 'dark-blue deep'. And here he summed up the characteristics of Byron's immature poetry : first, 'the meagerness and conventionality of colouring' ; secondly, 'his interest in Man was not as great as in Nature' ; and thirdly, 'his love for the hues of large expanses of water'.
Er schreibt : "From the colours he used, we see mountains exuberant and murky, seas vast and gloomy ; we see even more of the wounded heart of the young poet, bathed in flowers of blood, struggling in the great, profound, dark and gloomy nature. Is this Wordsworth's scenery full of friendly creatures ? Is this the nature meticulously and leisurely analyzed by Keats ? No, it is Byron's own. This is the dark, deep colour rising from Byron's broad, gloomy heart, covering all his impressions of mountains, seas, forests, ripples and flowers, animals and humans."
Chu Chih-yu : The idea, argument, and examples – except the general tone and conclusion – are taken from the Byron chapter of Pratt, Alice Edwards. The use of color in the verse of the English romantic poets. (Chicago, Ill. : University of Chicago Press, 1898). He noted that in his early poems, Byron particularly favoured several colous of the eyes, hair and skin, and loved the 'dark-blue deep'. And here he summed up the characteristics of Byron's immature poetry : first, 'the meagerness and conventionality of colouring' ; secondly, 'his interest in Man was not as great as in Nature' ; and thirdly, 'his love for the hues of large expanses of water'.
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